'Romeo and Juliet speaking and listening\r'

'Shakespeares elan of opus amazed existencey people for decades and still to this solar day; we havent fully grasped how powerful and how significant his writing style is. Many directors have pounced upon Shakespeares good turns to vary his excellence into a visual spatial relation that abuses any techniques conjured by the p each(prenominal)y man himself.\r\nThe hall is full of people in their costumes, sipping their drinks intently and socializing; the mood is all at once broken by a specious percentage, ‘silence! ‘ people instantaneously express their talking to a halt and go steady up in respect. Capulet, Juliet and other members of the category are perched atop a balcony looking for down on the guests below to see superiority spell also stand up in a pyramid physical composition with Capulet at the front as I requisite show a power structure of power within the Capulets.\r\nWhen Capulet continues to speak I want the photographic camera to flic k from the work party to his bellowing mouth to pick up the haul he applies to his voice, Capulet should stand very up-right with his doubtfulness held high and clasped hands behind his back to present his very formal and disciplined nature. half(prenominal) way through, Capulets welcome speech is discontinue by the music starting to play reviewed by the dancing of the crowd collectible to the encouragement of the music, at this point the camera should flick to a birds-eye-view of the guests therefore to a long shot of the hall to capture the excitement.\r\nCapulets anger builds as he trys to reanimate order without succession, meanwhile Juliet and other members drop their faces in their hands at the unharmed ordeal, finally Capulet gives up and storms back to touch base the crowd along with the camera closely following behind his raises, his little prospect triggers a ripple of laughter end-to-end the contented guests, the other Capulets soon follow suit.\r\nAfter a few make love scenes of the guests dancing; the camera flicks to Romeo wading his way through the crowd interchangeable a lost puppy, anxiously moving and portraying how he is an out emplacementr to these people further is stopped in his tracks as he first lays eyes upon Juliet through a thin, porous, red curtain. The red symbolically representing vexation and love and with it being in-between them; shows that its qualification connection between them.\r\nHis shoulders relax, his eyes eye blink incessantly and his anxiety goes onward as he just stands there and watches while slow and romantic music plays throughout the hall, the camera then goes into an over the shoulder shot of Juliet on the other side of the red curtain present her small-minded with a ring, then to look up and see Romeo slow walking towards her, for a brief moment she blushes and lets out a long shaky breath.\r\nShe then turns and walks away showing that she isnt that easy; Romeo then follows her like a dog on heat, Juliet weaves in and out of people and puts obstacles in-between her and Romeo to hinge upon and test him to weigh if he is beseeming or not, meanwhile the camera follows and directiones on them from a long shot as they move and talk. Finally she stops teaser him and he asks her for a dance, she flutters her eye lashes and reluctantly accepts as she takes his hand and they both belatedly dance under dim flare of the hall.\r\nAfter a few minuscule shots of the two of them dancing the camera changes to a shot that is filled by inglorious eyes and brow; the guests including Romeo can be seen in the reflection of his eyes, after a few seconds the eyebrows slowly turn into a deep frown shortly followed by a deep and enraged voice as he spits out run-in to Capulet; asking for consent to stir up trouble with Romeo.\r\nThe camera zooms out promptly to show the whole of Tybalt in a very stylish and slick tux along with finely polished shoes, the time out of the hall where he is situated is darker in contrast to its merry surroundings; this is to immediately imply that this man is the evil whizz as thats the symbolic notion of darkness. thusly I want the camera to focus on a standard candle up-close, with Tybalt and Capulet wooly out in the background, the flame should shining when Tybalt speaks violently to show that he is most connecting with evil and his anger is being expressed through the flame; further showing his wickedness.\r\nCapulet is gleefully clapping to the music and impressive Tybalt in a firm voice, to determine himself and leave the Montague alone, to not ruin this great day, Tybalt storms off back upstairs leave behind strong grunt of frustration to the incapability of creating a fight with the foeman Montague, as he leaves, I want the camera to go back to the candle and as the shadow that is Tybalt slowly leaves; the waver flame also slowly subsides to a still.\r\nAfter Romeo and Juliets dance, they sit down on a nearby red sofa, til now again red symbolising a deep connection of passion. They talk to each other romantically with the camera circling them slowly; Romeo then takes Juliets hand and speaks in a very smooth and gentle voice. Juliet then leans closer to his face and they both court while harmonious music plays throughout the hall, as they kiss, the camera blurs out all the other people around them so only Romeo and Juliet are clearly presented in the shot and how they are so indulged and oblivious(p) to the world around them.\r\n'