Examine the opening five minutes of ‘High Noon’, ‘Butch Cassidy and the Sundance Kid’, and ‘Unforgiven’

get word the opening five proceedings of soaring noonday, dam Cassidy and the Sundance pincer, and Unforgiven. Discuss what separately of the directors seek to achieve in these sequences and how they locate their movie hoexercising within the genre. The one-third leases High Noon, Butch Cassidy and the Sundance Kid, and Unforgiven argon all classic films that atomic number 18 hardened in the Western genre. Principally these Westerns be set among the current 1860 to 1900 and often located to the west of the Missouri and the Mississippi.The production of these three films cross through a period of 40 years from 1952 to 1992 showing a change and progression in the style of filming. From examining the opening five minutes of each of the three films and with great reference to the key concepts I shall be able to establish what notions build a Western and analyse how effectively they argon partd within each of the three films. High Noon directed by Fred Zinne slicen was pr oduced in 1952 and tells the story of Miller, a renowned scoundrel who was sentenced in the town of Hadleyville to a lifetime imprisonment in Texas. untold to the towns distress Miller is released and back with a vengeance and unneurotic with a group of other villains they return to Hadleyville to seek revenge on the towns sheriff. This is a story about the final triumph of good over malign yet also touches upon other subjects like testing fri kiboshships and the rise of women in ability. This was the first film to use real time, by 1957 it was being parodied. High Noon begins with a non-diagetic soundtrack, Dont forsake me, oh my darling, which tells the story that is to follow.The film opens with a vast shot of the great grassy plains with a lone rider in the distance, showing great iconography of a typical Western guesswork. Its narrative clues ar really strong in the first five minutes where the fundamentally bad characters are here shown with the stereotypical look of being roughly shaven and vesture ragged clothes and a Stetson hat. This is further indorse up when they ride into the town, where people shocked and scared by their manner stop immediately what they are doing and some even run to hide. champion Spanish woman crosses herself when she sees them showing their bad reputation and is obvious here, that they are not often at that town and it is not a welcomed sight. there is a great contrast here between the good and the bad, primary(prenominal)ly between Will Kane and Miller. In al nearly everyway they are opposite relating to Claud Levi-Strauss idea on binary oppositions. The connotation of colour is very noticeable here, where the bad guys are all wearing dark colours and ride on forbidding horses in contrast to Will Kane who is about to wed Amy who is wearing etiolated which reflects their innocence.This film uses conventions effectively to locate itself in the Western genre. It is located in a small town with one high street t hat is lie with tall wooden buildings. It also includes the familiar saloon and sheriffs office. These all interrelate together to provide a representation of the stereotypical image of a western town. Butch Cassidy and the Sundance Kid directed by George Roy Hill (1969) is establish on a true story that follows the lives of Butch Cassidy and the Sundance Kid who are famous for great bank and train robberies.After more self-made takes they encounter resistance and in a bid for freedom hightail it the country. This film takes the idea away from the evil cowboy and by the end of the film you feel less anger for them as in most Westerns but like them and feel a sense of sorrow and pathos for them. This film opens with a short film reel shot in sepia. It tells of one of their many great train robberies as the hole in the wall gang. The sepia is a good reflection of the period of which this film is located, it also highlights and emphasises iconography of Westerns straight away.It and so cuts out of sepia to the next scene in which Butch is examining the security of the towns bank in preparation for the robbery. in that location is a lot of exposure to the heavy bars and strong locks, plainly new, and unforeseen, Butch asks the bank bank clerk What happened to the old bank, it was beautiful, the bank teller replies, People kept robbing it Like High Noon the way Butch Cassidy and the Sundance Kid are dressed reflects their personality and means that they can be to a greater extent easily recognised. As hale the bad guy is vigorous renowned and scares a lot of people.Here, the Sundance Kid is well known for his precise firing aim, shown in the scene where the Sundance Kid is playing cards and his foe accuses him of cheating not knowing who he is, I didnt know you were the Sundance Kid when I acc utilize you of cheating If I draw on you, youll run through me. He then asks him how good of a shooter he very is, the Sundance Kid then demonstrates this an d shows to the audience his character whereas Butch Cassidy appears to be a lot more rational and the brains behind the operations. The Sundance Kid is very sober and does not show lots facial expression.Male pride is very dominant in this film, especially among the Sundance Kid, where his reputation is very important and moldiness be maintained to uphold the bad guy image. Unforgiven is the most recently produced film of the three, made in 1992 and directed by Clint Eastwood who also stars and won 4 Oscars. It follows the story of William Munny, a notorious killer who is offered the chance to earn a large sum of money by reverting to his old ways and killing two cowboys. The story line develops to show a more in depth side of the stereotypical villain of the West and the corruptness of people who are supposed to be on the good side.This film demonstrates 3 themes common to the Western genre Love, honour, and loyalty. The opening shot of the film has a simple scene of William Munn y tending to his wifes grave in a silhouette cast by a glowing sunset. This is further explained by the use of a short paragraph that tells of Munnys past. The first few minutes shows how William Munny has endure much more of a settled family man since his wife died and so his gangster days are long gone and now owns and runs a ranch with his two children, whom can further accentuate his now much more innocent personality.Due to his presence as a family man we do not initially see him as a villain, and overdue to the different nature of the story, whereby Munny is asked to kill the villains who cut up the young girls face, which is well deserved, it makes the audience portray Munny more as a torpedo, who was only tone out for the best interests of his family. This first scene of tranquillity is contrasted by a stormy second scene as it makes the change from the country to a small Western town, and gives a narrative clue that something that could upset the counterpoise is about to take place.There is a shot emphasising the sign verbal expression billiards upstairs and then we see women being paid for sex. Screaming then breaks the silence and the pace is speeded up using fast editing which portrays the ruckus thats taking place. This is stopped abruptly with the pointing of a gun. As in many Western films women are used to demonstrate the issue of male power and pride at this time in history. Within Unforgiven Little Bill, the town sheriff, talks to the head prostitute with little respect and does not hear to her opinion.Within the three films I have examined all three directors use similar iconography to portray the familiar Western scene and the villains always wearing dark clothes, with roughly cut hair and stubble around the mouth. The hero of a Western will always contrast the bad guy. The main themes that are covered are male pride, loyalty and honour. Women are used repeatedly to show male power in society and are used as mere objects. High Noon is a pocketbook that most Western films use and its ideas are often revised. Tying together narrative theories, iconography and typical themes makes these film fit into the Western genre.